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DreamWorks Puts 'Real Steel' In Their Ring

Filed under: Action, Sci-Fi & Fantasy, Sports, Deals, Paramount, DIY/Filmmaking, Newsstand, Dreamworks, Steven Spielberg

If you held out faint hope that Hugh Jackman wouldn't be helping Shawn Levy box robots, and would abandon it for a feature film adaptation of A Steady Rain, kiss it goodbye now. Variety reports that DreamWorks' Steven Spielberg and Stacey Snider have green-lit Real Steel, making it the studio's first big financial project since it split with Paramount, and had to find its own money.

Spielberg was attached to the project as executive producer when it was first announced, and it seems that it's been a real passion project for him. DreamWorks bought the project back in 2005, and it was one of the films they held onto after splitting from Paramount. "When we took it with us, we really highlighted it as something we would put the pedal to metal on," said DreamWorks co-president of production Mark Sourian. "It's a project that Steven always wanted to do. It just came together rapidly after we left Paramount." The film will be made for the relatively low budget of $80 million, and will begin production next June.

With a low budget to avoid Transformers excess, perhaps the magic of Spielberg and Richard Matheson can overcome the kiddie tendencies of Shawn Levy, and turn it into something special. A lot of commenters mentioned that Matheson's story was adapted into an episode of the Twilight Zone called Steel. Happily, it's online and I've embedded it below the jump. It really is a good episode, and while Levy keeps stressing that his Real Steel is grounded in its "father-son relationship," I hope it can retain a bit of Matheson's grit. I could be happy with a robot version of Million Dollar Baby.


What Happened Once Carl's House Took Off In 'Up'?

Filed under: Animation, Comedy, Disney, Shorts, Family Films, Newsstand, Movie Marketing, Trailers and Clips


In all of your viewings of Up, did you ever wonder what happened to the Shady Oaks employees who helplessly watched as Carl floated up, up, and away? Well, wonder no more. Pixar wrote and animated a little short called George and AJ that answers all your questions, and then some. Watch carefully when Carl's house soars over their heads -- you'll see an angle that reveals just where one particular character was hanging on for dear life.

What's really cute about this short is that it isn't just about George and AJ, but what the entire city thought of Carl's flying house. Up never stopped and went back to North America to see if anyone noticed his unusual method of flight (and very wisely, too), but this spin-off deals with some of the ramifications. It's funny and moving, and makes for a bittersweet commentary on just how we deal with the elderly members of our society.

Now, if we can just get a spin-off that tells what Russell's mother thought about her son's prolonged absence. Somehow, I don't think any cell phone he may have had on him could get good reception at Paradise Falls ....

The short is embedded below the jump, and it's just the thing to watch on a dreary Monday. Enjoy!



Chris Weitz Blames New Line For 'The Golden Compass' -- Do You?

Filed under: Sci-Fi & Fantasy, New Line, Celebrities and Controversy, DIY/Filmmaking, Newsstand, Religious, Fan Rant

Now rolling in New Moon millions, Chris Weitz is being more open about his troubles with New Line and The Golden Compass, a film that sank one studio and sent him into a tailspin. Rumors abounded as to what went wrong on that film, and as recently as last week, New York's Page Six was claiming that residual stress was causing him to leave the industry.

Weitz denied any such thing to Variety, and announced he was leaving the world of the supernatural behind with his next film, The Gardener. The film centers around a hard working Mexican gardener and his efforts to protect his son, and Weitz will be making it alongside his new best friends forever, Summit Entertainment. His new friendship enabled him to take a parting shot at New Line. Weitz praises Summit and Stephenie Meyer for trusting him with New Moon, an experience that was the polar opposite of the debacle that was The Golden Compass.

Weitz claims that New Line didn't trust him to handle the content of the book, that the film was taken from him in editing. Heavy-handed hacking resulted in losing nearly 30 minutes of footage from the film, and neatly exercised the edgy thrust of Phillip Pullman's book. "It was an utter violation of my status as a director and the worst thing that has happened to me professionally ... I was treated badly, it was almost like they never read the books. They seemed frightened of offending the right." Out of loyalty to the cast and crew, Weitz said he "bit through my tongue" when Compass was released.

As a fan of Pullman's His Dark Materials series, I'd love to see all that missing footage to see if it could salvage Weitz's film, and if New Line really neutered it.

Go below the jump for the rest

Joshua Jackson Flies Away In a 'UFO'

Filed under: Action, Independent, Sci-Fi & Fantasy, Casting, DIY/Filmmaking, Newsstand, Remakes and Sequels

There seems to be a slow and steady drive towards remaking everything that ever appeared on British television. I suppose that's all right (they do have fantastic shows and made-for-television movies in the United Kingdom) but what happens on that dark day when Hollywood runs out of British productions? Yikes. Let's not think about that, and turn instead to the dark version of 1980 that's being remade for the modern viewer, as Variety reports that British favorite UFO is being re-imagined for the big screen. UFO will be helmed by Matthew Gratzner, and will star Joshua Jackson.

The British premise for UFO was set in the near future (ten years in their case -- the show aired in 1970 and took place in 1980) where aliens had conquered Earth. Naturally, they didn't do so with altruistic means, but to use us as an organ harvesting ground. Humanity's future lay with SHADO, (Supreme Headquarters Aliens Defense Organization), a covert organization pretending to be a movie studio, who defend against the alien horde. Many have tried to remake UFO and failed, the last evolved into Space: 1999. (I can't find any reference as to V took any inspiration from it. The timing screams that it wasn't a coincidence.)

Jackson will play Paul Foster, a test pilot who joins SHADO. Foster is one of the original characters, and had an interesting little conflict after he became involved with the enemy. Since Gratzner praises his ability to show Foster's "inner conflict," the movie will undoubtedly take that and run with it. The movie is aiming to begin filming in the spring.

Phew! 'New Moon' Fails to Clinch Opening Weekend Record

Filed under: Box Office, Fandom, Newsstand



According to estimates over at Variety, The Twilight Saga: New Moon failed to top The Dark Knight's three-day opening weekend record of $158 million, bringing what I'm sure will be a huge sigh of relief to all those folks (and there's lots of them) who felt the film was in no way deserving of these historic milestones. Instead, after clinching the Best Midnight Opening record and Best Opening Day record, New Moon will have to settle for third on the Best Opening Weekend list after walking away with a pretty astonishing $130 $140 million when it was all said and done.

If that number holds up (and it should), the film will replace Pirates of the Caribbean: At World's End for third place on the list of all-time best opening weekends (domestic), and will settle in behind only Spider-Man 3 (second) and The Dark Knight (first). Still, with $130 $140 million, New Moon more than doubled Twilight's opening weekend ($69 million) -- in addition to taking in the largest domestic weekend gross of the year -- so if the franchise remains on that pace there's a good chance The Twilight Saga: Eclipse will indeed snatch the opening weekend record from The Dark Knight when it hits theaters on June 30th ... that is, unless Iron Man 2 doesn't get to it first.

Movie Popcorn is Bad for You? Who Knew?

Filed under: Fandom, Exhibition, Newsstand

Popcorn and sodaIn a report that will shock anyone that doesn't go to the movies, an advocacy group claims that movie theater popcorn is not a very good nutritional snack. In a press release, the Center for Science in the Public Interest says they commissioned laboratory analyses indicating a medium-size popcorn and medium-size soda purchased at a Regal theater, the country's largest movie theater chain, contains the nutritional equivalent of three McDonald's Quarter Pounders with 12 pats of butter. "Sitting through a two-hour movie isn't exactly like climbing Mt. Everest," a senior nutritionist for the Center said. "Why do theaters think they need to feed us like it is?"

Ah, but that comment betrays an ignorance of the current cinema. When I caught 2012 on opening day, for example, I watched it with a tub of popcorn by my side, as our reviewer Peter Hall suggested ($7.50 for a large popcorn at AMC). It gave me something to do during the non-disaster scenes. On a more serious note, the Center points out the high amount of saturated fat results from movie theater chains Regal and AMC using coconut oil to pop their popcorn. The Cinemark chain uses canola oil, which results in much less "artery-clogging" saturated fat.

For their part, the chains aren't talking, reports The Los Angeles Times, though Regal falls back on the MPAA's statistic that says the average American only attends six movies a year and thus: "Theater popcorn and movie snacks are viewed as a treat and not intended to be part of a regular diet." I know our readers watch up to six movies in a single weekend, so I ask you: Do you skip popcorn entirely? Do you buy anything from movie concession stands? If theaters offered healthier fare, would you buy it?

'Avatar' Watch: Running Time Announced and New Featurettes

Filed under: Action, Sci-Fi & Fantasy, Fandom, 20th Century Fox, Newsstand



Though early rumors suggested the film was going to clock in at over three hours, 20th Century Fox claims James Cameron's Avatar will instead clock in at 150 minutes (or 2.5 hours), or about 156 minutes if you count the credits. The main reason why the film will run under three hours is because of the IMAX showings. Avatar will open in about 180 domestic IMAX theaters on December 18th, and because of the way the IMAX system is set up, the theaters that aren't converted over to digital projection can only hold about 170 minutes worth of film. But while Cameron's final edit came in significantly under 170 minutes, there's no saying whether there will be a cut on the DVD that will run over 170 minutes. According to The Hollywood Reporter, Avatar will open on a minimum of 5,500 screens, with almost half of those screens equipped to show the film in 3D.

In other Avatar news, two new featurettes were released online toward the latter part of the week. IGN UK unveiled one behind-the-scenes video focused primarily on the realistic sci-fi equipment created for the film, and Coke Zero released a video that introduces Stephen Ling's character, Col. Quaritch, and reveals a whole bunch of new footage. You can watch both videos over at SciFi Squad.

'New Moon' Smashes 'Dark Knight's' Opening Day Record!

Filed under: Drama, Sci-Fi & Fantasy, Box Office, Fandom, Newsstand



According to ERC, The Twilight Saga: New Moon sold roughly $71 million (Variety is reporting $72.7 million) worth of tickets on its opening day -- a number that, if correct, far surpasses the current opening day box office record of $67 million set by The Dark Knight back in 2008. With its $26 million take in midnight showings, that gives the second installment in the Twilight franchise two pretty giant records: Best Midnight Opening and Best Single Day Opening. Next up for the franchise is the three-day opening weekend record, also held by The Dark Knight with $158 million.

So what does this say about us? Well, while it's not as critically acclaimed as, say, Harry Potter and the Half-Blood Prince (previous midnight opening record holder) or The Dark Knight, these numbers do show just how much of an impact the female audience can have on a box office take. Sure, when The Dark Knight broke records everyone wanted to single out the teenage male audience as having won that film its titles, but polls showed females were responsible for upwards of 50% of that film's opening box office too. And now, with New Moon breaking records attracting a younger female audience, here's hoping studios wake up and realize that, yeah, the female audience is a damn powerful force.

So kudos to all you Twi-hards for showing up to support the property you love. Is the film truly worthy of its new records? Probably not. Will another film break those records within the next year? Yeah, most likely. But dammit if the folks at Summit Entertainment aren't partying their asses off this weekend. They just won the World Series at the box office. Congrats!

Michael Fassbender Goes From One Bronte To the Next

Filed under: Classics, Drama, Independent, Romance, Casting, Mystery & Suspense, Focus Features, Newsstand

The Brontes are all the rage for adaptation right now. It's undoubtedly due to Edward and Bella bestowing their favor on Wuthering Heights, and had they chosen Great Expectations, perhaps we'd see Dickens adaptations flinging themselves to the big screen. I love corsets and cravats, so I'm not going to complain, and I'm certainly not going to whine if Cary Fukunaga gets this cast for Jane Eyre. Variety is reporting that Michael Fassbender and Mia Wasikowska are in talks to play Jane and Rochester for Fukunaga, and oh, how torrid it would be!

This is actually the second time Fassbender has circled a Bronte adaptation. Last May, he was said to be in talks for Wuthering Heights, but Ed Westwick stepped into that particular waistcoat. It's a shame. I think Fassbender would have made an excellent Heathcliff, and may have been the first one to actually snarl, bang his head against a tree, and slap people convincingly. But he will make a very simmering Rochester, and is the only actor who could top Toby Stephens' wonderful turn in 2006.

Wasikowska is still a bit of a dark horse. She's becoming one of those much-discussed names, but most of us have yet to really meet her until Tim Burton's Alice in Wonderland hits theaters. She's very pretty, but is just "ordinary" (if that doesn't sound too terrible) enough to fit the part of plain Jane, and as an Aussie, she'll be able to turn on an English accent better than Ellen Page. If this is the Jane Eyre that makes it to the screen, I'll be happy. Let the eerie screams, mysterious fires, and lingering looks commence.

Sam Worthington Gets Gritty in 'American Crime'

Filed under: Action, Sci-Fi & Fantasy, Thrillers, Casting, Deals, Noir, Scripts, Newsstand, Comic/Superhero/Geek

Few of us have had the chance to read Rick Remender's upcoming series, The Last Days of American Crime, but it's already tapped for the big-screen treatment. To sweeten the deal, American Crime already has a face. An Australian one. Mania is reporting that Sam Worthington has signed on to play the series' star criminal, Graham Brick.

American Crime is set in a near-future where the government has found a way to kill the criminal impulse in its citizens. That's good for everyone but the criminals, and chaos erupts as the unsavory element goes mad trying to get in one last job. One of these men is Graham Brick, who is in the midst of planning a big heist, and gets to watch all his best laid plans fall apart in a bloody fashion. I read the preview Radical handed out at Comic-Con this year, and like all previews, it was too short to really get a handle on the story. But the art was incredible, it was ridiculously violent, and it had that slimy feeling of Sin City. You can check out three pages here, and Radical has 15 pages up on MySpace. The first issue is scheduled to hit stands in December.

Remender will be penning the screenplay himself, and Radical will be producing it under their film shingle. We'll supposedly be getting a studio, a director, and more cast-members very soon, but it's tough to get excited without having read issue #1. Still, if this is really the mix of James Ellroy and David Mamet's Heist that Remender promises, Crime will be something to look out for.
 
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